Recently updated blogs

I did one thing this past weekend, and nothing else. I stayed in bed all day to listen to the Graphic Audio version of Fourth Wing, because part two was released recently and I became so enraptured I didn’t do anything else but listen to this wonderful rendition of the novel. I like it far better than the version made by Recorded Books. I’m sorry Recorded Books, you dropped the …

T-Pain is a vastly underrated artist. I've blogged about enjoying his work previously and would argue he has often been at best discounted and at worst ignored in his talent for unfair reasons. Let's acknowledge the elephant in the room to start: Yes, T-Pain has at many points in his career utilized autotune as a tool. When he sings without autotune it is clear the man doesn't need it, but …

“One touch of natures make the whole world kin.” (William Shakespeare)

So I continue my reading of Chuck Dixon‘s Levon Cade series with the next two in the series: Levon’s Time and Levon’s Home, which are the seventh and eighth novels. I’ll continue to post two novels at a time, and the series is up to 12 total. Also, it’s being developed into a TV series. […]

How do you build an art career online? Today's Substack post is a deep dive on managing social media and narrowcasting to dedicated fan networks.

So I haven’t written anything on here for a year and a half. It turns out the old saying is true; freelancing on interesting projects while raising a small human and navigating the US visa system doesn’t leave much time for writing blog posts. But don’t worry. We’ve been having fun, surfing the doom loop, learning to love the smell of napalm in the morning, and so on. Last week …

When someone so much as touches a state vehicle, the wheels of justice begin to turn, and that’s that.

Wow, I haven't shipped anything in a year and a half, huh? Not even a blog post? Sure, I've generated lots of ideas, at different stages of development, but in the end, all that matters is what's out there. So this month, I'm shipping this blog post about all the projects I haven't shipped (yet). Motivations for this post: To scratch an itch. To give y'all a look into the …

In the early 1980s, companies began to realize that changes were occurring in the way cookies were consumed in the United States. People were buying more packaged cookies and baking less at home. Store-bought cookies were crisp and didn’t resemble those fresh from the oven. Manufacturers started to wonder, "Is there a market for a new type of ‘soft’ cookie?" If so, how could they be made and packaged? As …

While scrolling social media pages awhile back, I found one friend appreciating, in a moment, her current writing project—a book manuscript. The appreciation arose in the context of editing her Read more The post Indexing: Lost Art, Dead End, or Missed Opportunity? (Part 1) first appeared on Society for US Intellectual History.

By the 1990s, Hong Kong cinema had become beloved around the world for its restless innovation and dizzying hybridity. Few films exemplify the spirit of that era more fully than The Heroic Trio (1993) and its sequel, Executioners (also 1993), both made by director Johnnie To and action choreographer Ching Siu-tung. Combining the mythical traditions of the wuxia genre, the grit and melodrama of the Hong Kong New Wave filmmaking …

How much is "too much?" I'm sure you've seen that eye glaze from time to time. The answer is actually deceptively simple. The post How Much Data Viz is Too Much appeared first on Evergreen Data.

Ever since an infantile fascist billionaire (hereafter, the IFB) decided to turn Twitter over to the racially hostile anti-science set, folks who previously used that network daily to discuss and amplify topics they cared about have either given up on the very premise of a shared digital commons, continued to post to Twitter while holding their noses, or sought a new digital place to call their own. This post is …

Video: Waxahatchee – “Bored” Directed by Corbett Jones and Nick Simonite. From Tigers Blood, out on March 22 on Anti-. I love the Joey Santiago-style guitar that opens this song. Katie Crutchfield says, “I feel like my comfort zone when writing songs lies somewhere on the emotional spectrum of sadness and heartache. Writing from a place of happiness scares me. Too earnest. Anger scares me even more. I wrote ‘Bored’ …