Cultural Capital
Theatre, arts and events in London.
- By Maryam Philpott
- Based in United Kingdom
- Roughly one post per week
- First post on
Posts per month
| Month starting | Posts |
|---|---|
| Oct 2022 | 3 |
| Nov 2022 | 4 |
| Dec 2022 | 4 |
| Jan 2023 | 5 |
| Feb 2023 | 4 |
| Mar 2023 | 4 |
| Apr 2023 | 4 |
| May 2023 | 5 |
| Jun 2023 | 4 |
| Jul 2023 | 5 |
| Aug 2023 | 4 |
| Sep 2023 | 4 |
| Oct 2023 | 5 |
| Nov 2023 | 4 |
| Dec 2023 | 4 |
| Jan 2024 | 5 |
| Feb 2024 | 4 |
| Mar 2024 | 4 |
| Apr 2024 | 5 |
| May 2024 | 4 |
| Jun 2024 | 4 |
| Jul 2024 | 5 |
| Aug 2024 | 4 |
| Sep 2024 | 5 |
| Oct 2024 | 4 |
| Nov 2024 | 2 |
Any gaps could be due to errors when fetching the blog’s feed.
Most recent posts
Considered one of Shakespeare’s ‘problem plays,’ All’s Well That Ends Well joins Measure for Measure, The Taming of the Shrew and The Merchant of Venice in requiring contemporary directors and performers to engage with the …
Well into this century, UK law refused to recognise slavery as a basis for claiming asylum and cases like Mende’s in Slave: A Question of Freedom were rejected by the Home Office, and the young …
Theatre loves the 1970s and especially the latter half of that decade where a particular kind of working class existence as well as the cultural forces of the post-war era were radically altered by the …