Bright Lights Film Journal
Pop reviews and in-depth analyses of current and classic films from around the world.
- Based in United States of America
- Roughly one post per week
- First post on
Posts per month
| Month starting | Posts |
|---|---|
| Jan 2023 | 4 |
| Feb 2023 | 4 |
| Mar 2023 | 5 |
| Apr 2023 | 5 |
| May 2023 | 2 |
| Jun 2023 | 0 |
| Jul 2023 | 0 |
| Aug 2023 | 0 |
| Sep 2023 | 0 |
| Oct 2023 | 0 |
| Nov 2023 | 0 |
| Dec 2023 | 1 |
| Jan 2024 | 5 |
| Feb 2024 | 3 |
| Mar 2024 | 5 |
| Apr 2024 | 5 |
| May 2024 | 4 |
| Jun 2024 | 5 |
| Jul 2024 | 4 |
| Aug 2024 | 5 |
| Sep 2024 | 5 |
| Oct 2024 | 4 |
| Nov 2024 | 3 |
Any gaps could be due to errors when fetching the blog’s feed.
Most recent posts
Green Border soars and stumbles because it overreaches in its gravitas and humanity, lingering a little too long and stretching a moment out of shape like all great neorealist films[...] The post Borders Without Doctors; …
3D is used to record visual reality, but that’s where I take off to the unimaginable. We are (wonderfully) constrained by our particular physiognomy and I wouldn’t change a thing,[...] The post Shapes Through Time …
Road to Morocco made the National Film Registry by going to the Mojave Desert in California and using rear screen projection. It didn’t need to go to a “real” casbah.[...] The post Turn Back? The …