Bright Lights Film Journal
Pop reviews and in-depth analyses of current and classic films from around the world.
- Based in United States of America
- Roughly one post per week
- First post on
Posts per month
| Month starting | Posts |
|---|---|
| Jan 2023 | 4 |
| Feb 2023 | 4 |
| Mar 2023 | 5 |
| Apr 2023 | 5 |
| May 2023 | 2 |
| Jun 2023 | 0 |
| Jul 2023 | 0 |
| Aug 2023 | 0 |
| Sep 2023 | 0 |
| Oct 2023 | 0 |
| Nov 2023 | 0 |
| Dec 2023 | 1 |
| Jan 2024 | 5 |
| Feb 2024 | 3 |
| Mar 2024 | 5 |
| Apr 2024 | 5 |
| May 2024 | 0 |
Any gaps could be due to errors when fetching the blog’s feed.
Most recent posts
The reflexive nature of Hong’s formalism, in which stylistic decisions call attention to themselves and point to the mediating presence of the man behind the camera, makes it problematic to[...] The post Auto-Focus: Reflexivity, Autocritique, …
Malick, in other words, is a director who established himself during the transition from Old Hollywood to New Hollywood, where experimenting became the norm, and it is while experimenting at[...] The post Book Review: <em>Terrence …
The film may appear gamer oriented, but general audiences should find it accessible and entertaining based on its fright factor alone. It’s simultaneously a boon to content-starved TF2 diehards and[...] The post Mercs and Mortality: …