The Last Drive In
The blog’s atmosphere is one of nostalgia for those golden days when Silver Screen met tube with dials overflowing with memorable actors, writers, directors, and visionaries.
- By Jo Gabriel
- Based in United States of America
- Roughly three posts per month
- First post on
Posts per month
| Month starting | Posts |
|---|---|
| Nov 2022 | 3 |
| Dec 2022 | 0 |
| Jan 2023 | 1 |
| Feb 2023 | 0 |
| Mar 2023 | 2 |
| Apr 2023 | 0 |
| May 2023 | 4 |
| Jun 2023 | 0 |
| Jul 2023 | 1 |
| Aug 2023 | 0 |
| Sep 2023 | 0 |
| Oct 2023 | 30 |
| Nov 2023 | 2 |
| Dec 2023 | 2 |
| Jan 2024 | 0 |
| Feb 2024 | 0 |
| Mar 2024 | 2 |
| Apr 2024 | 3 |
| May 2024 | 2 |
| Jun 2024 | 2 |
| Jul 2024 | 1 |
| Aug 2024 | 4 |
| Sep 2024 | 2 |
| Oct 2024 | 9 |
| Nov 2024 | 4 |
| Dec 2024 | 1 |
| Jan 2025 | 0 |
Any gaps could be due to errors when fetching the blog’s feed.
Most recent posts
“This moody depiction of the Christmas slayings… is as murky as the script, which dotes largely on obscenities that are no more pointed than the violence, dull direction and pedestrian performances.” — A.H. Weiler, New …
Darkness Without Escape: British Noir’s Bleak Horizons It Always Rains on Sunday 1947 In director Robert Hamer’s masterful film It Always Rains on Sunday, the relentless downpour that drenches nearly every scene serves as both …
Fate, Desire, and Inescapable Will: The Noir Aesthetic of Robert Siodmak’s Criss Cross 1949 Robert Siodmak is the unheralded master of noir, and Criss Cross 1949 can be considered his crowning achievement. Eddie Muller called …