The Public Domain Review
Online journal and not-for-profit project dedicated to the exploration of curious and compelling works from the history of art, literature, and ideas.
- Based in United Kingdom
- Roughly two posts per week
- First post on
Posts per month
| Month starting | Posts |
|---|---|
| Nov 2021 | 12 |
| Dec 2021 | 7 |
| Jan 2022 | 9 |
| Feb 2022 | 9 |
| Mar 2022 | 9 |
| Apr 2022 | 12 |
| May 2022 | 8 |
| Jun 2022 | 9 |
| Jul 2022 | 3 |
| Aug 2022 | 0 |
| Sep 2022 | 8 |
| Oct 2022 | 8 |
| Nov 2022 | 11 |
| Dec 2022 | 6 |
| Jan 2023 | 10 |
| Feb 2023 | 9 |
| Mar 2023 | 10 |
| Apr 2023 | 9 |
| May 2023 | 9 |
| Jun 2023 | 8 |
| Jul 2023 | 5 |
| Aug 2023 | 0 |
| Sep 2023 | 8 |
| Oct 2023 | 10 |
| Nov 2023 | 12 |
| Dec 2023 | 4 |
| Jan 2024 | 9 |
| Feb 2024 | 8 |
| Mar 2024 | 10 |
| Apr 2024 | 9 |
| May 2024 | 0 |
Any gaps could be due to errors when fetching the blog’s feed.
Most recent posts
Stereographs depicting daily life in Palestine before the British Mandate.
Aquatint engravings that were employed to reproduce the tonal subtleties of drawings.
In 1927, a pair of lurid “translations” appeared in English, marketed as authentic tales by Giovanni Boccaccio and illustrated with supposedly new works by Aubrey Beardsley. Jonah Lubin and Maria Laurids Lazzarotti search for the …