earfluff and eyecandy
a very irregularly-updated blog on random topics.
- By Geoff Martin
- Based in United States of America
- Roughly two posts per month
- First post on
Posts per month
| Month starting | Posts |
|---|---|
| Sep 2022 | 4 |
| Oct 2022 | 2 |
| Nov 2022 | 5 |
| Dec 2022 | 0 |
| Jan 2023 | 0 |
| Feb 2023 | 0 |
| Mar 2023 | 7 |
| Apr 2023 | 3 |
| May 2023 | 1 |
| Jun 2023 | 0 |
| Jul 2023 | 9 |
| Aug 2023 | 4 |
| Sep 2023 | 2 |
| Oct 2023 | 4 |
| Nov 2023 | 4 |
| Dec 2023 | 1 |
| Jan 2024 | 6 |
| Feb 2024 | 1 |
| Mar 2024 | 0 |
| Apr 2024 | 1 |
| May 2024 | 6 |
| Jun 2024 | 3 |
| Jul 2024 | 0 |
| Aug 2024 | 7 |
| Sep 2024 | 1 |
| Oct 2024 | 3 |
| Nov 2024 | 0 |
Any gaps could be due to errors when fetching the blog’s feed.
Most recent posts
After I posted the last two parts of this series (which I thought wrapped it up…) I received an email asking about whether there’s a similar thing happening if you remove the reconstruction (low-pass) filter …
In Part 1, we looked at what happens when you try to record a signal whose frequency is higher than 1/2 the sampling rate (which, from now on, I’ll call the Nyquist Frequency, named after …
One of the best-known things about digital audio is the fact that you cannot record a signal that has a frequency that is higher than 1/2 the sampling rate. Now, to be fair, that statement …