PANTHEON
- By Simon Reynolds
- Based in United States of America
- Roughly three posts per month
- First post on
Posts per month
| Month starting | Posts |
|---|---|
| Aug 2022 | 3 |
| Sep 2022 | 7 |
| Oct 2022 | 11 |
| Nov 2022 | 8 |
| Dec 2022 | 6 |
| Jan 2023 | 8 |
| Feb 2023 | 4 |
| Mar 2023 | 5 |
| Apr 2023 | 2 |
| May 2023 | 5 |
| Jun 2023 | 9 |
| Jul 2023 | 9 |
| Aug 2023 | 5 |
| Sep 2023 | 4 |
| Oct 2023 | 2 |
| Nov 2023 | 6 |
| Dec 2023 | 4 |
| Jan 2024 | 5 |
| Feb 2024 | 4 |
| Mar 2024 | 3 |
| Apr 2024 | 5 |
| May 2024 | 5 |
| Jun 2024 | 3 |
| Jul 2024 | 2 |
| Aug 2024 | 4 |
| Sep 2024 | 4 |
| Oct 2024 | 3 |
| Nov 2024 | 1 |
Any gaps could be due to errors when fetching the blog’s feed.
Most recent posts
Not quite an example of critics totally missing the significance of an epochal record in real time, as this does get a measured 3 and a half stars out of five from Gaz, with Entertainment! …
Continuing the series of critics getting it wrong in real-time, not divining the significance of a release or artist... here's Rose Rouse in Sounds underestimating Kate Bush's The Dreaming.Still, in mitigation, it would have to …
Continuing the series of critics missing the significance of a record on its initial release - here is Lester Bangs in 1976 with what is ostensibly a review of Agharta but is really a panoramic …