Disquiet
Listening to culture. Playing with audio. Sounding out technology. Composing in code.
- By Marc Weidenbaum
- Based in United States of America
- Roughly seven posts per week
- First post on
Posts per month
| Month starting | Posts |
|---|---|
| Nov 2022 | 24 |
| Dec 2022 | 34 |
| Jan 2023 | 38 |
| Feb 2023 | 32 |
| Mar 2023 | 32 |
| Apr 2023 | 42 |
| May 2023 | 41 |
| Jun 2023 | 40 |
| Jul 2023 | 36 |
| Aug 2023 | 42 |
| Sep 2023 | 42 |
| Oct 2023 | 32 |
| Nov 2023 | 40 |
| Dec 2023 | 37 |
| Jan 2024 | 40 |
| Feb 2024 | 39 |
| Mar 2024 | 39 |
| Apr 2024 | 31 |
| May 2024 | 35 |
| Jun 2024 | 37 |
| Jul 2024 | 38 |
| Aug 2024 | 32 |
| Sep 2024 | 31 |
| Oct 2024 | 39 |
| Nov 2024 | 34 |
| Dec 2024 | 33 |
| Jan 2025 | 19 |
Any gaps could be due to errors when fetching the blog’s feed.
Most recent posts
I had a great time last Saturday night, January 11, catching a live performance by Cecyl Ruehlen and Chelsey Lee Trejo at the Crown in Oakland. I’d previously reviewed, for The Wire, a fantastic performance …
Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have five days to record and upload a track in response to the project instructions. …
When I first began listening to this recording, a sliver of Brian Eno’s classic Music for Airports (1978), I just assumed it was the entire Bang on a Can ensemble playing it, because I saw …